Plato s Simile Of The Cave - 1149 Words

Imagine living in a world of false impressions, of course how would know that they were living in a world of lies. They would probably believe that every action performed by their senses were true. Plato’s Simile of the Cave sheds light on this this idea which is also adapted by the 1999 movie by Andy Wachowski Lana Wachowski, ‘The Matrix.’ Both works have allegorical meanings which explains how people are trapped by some sort of limitations they have which could also serve as a deterrent to their further understanding. This movie ‘The Matrix’ shares a common philosophical basis with Plato’s Simile of the Cave. First, Plato argues that the mind is susceptible to false ideas because of the limitations of our senses. This is shown in the conversation between Socrates, a speaker in his allegory, and Glaucon, the second speaker. Socrates explains to Glaucon that the prisoners in Plato’s metaphorical cave are bound to assume that the shadows thrown on the wall, by the fire, are real and that the objects held by the passers-by, walking along the road, belong to the shadows. â€Å"And so in every way they would believe that the shadows of the objects we mentioned were the whole truth.† (Plato, 26). Plato believes that the world perceived through our senses is not a real world, but a poor copy of it. This prisoners do not know that they are prisoners, which makes them to be completely unaware that the reality they know is false. In similar fashion, his claim shares a commonShow MoreRelatedThe Allegory Of The Cave1307 Words   |  6 PagesAllegory of the Cave there are prisoners are chained up together in which they are all facing the back wall. There is a firing behind the prisoners and the only thing that they can see are the shadows of the people behind them. The fire casts shadows on the wall so this is the only thing that they see. Their entire lives have been based on these shadows on the wall. These prisoner s have been chained up since birth, so what they see on the walls is all they know. In the Allegory of the Cave, they let oneRead MorePlato s Allegory, And Glaucon, The Second Speaker1345 Words   |  6 Pages First, Plato argues that humans are vulnerable to false ideas because of the limitations of our senses. This is shown in the conversation between Socrates, a speaker in his allegory, and Glaucon, the second speaker. Socrates explains to Glaucon that the prisoners in Plato’s metaphorical cave are bound to assume that the shadows thrown on the wall, by the fire, are real and that the objects held by the passers-by, along the road, belong to the shadows. â€Å"And so in every way they would believe thatRead MorePlato Vs Aristotle On Politics And Philosophy1899 Words   |  8 PagesPlato versus Aristotle Plato and Aristotle, two philosophers in the 4th century, hold polar views on politics and philosophy in general. This fact is very cleverly illustrated by Raphael s School of Athens (1510-11; Stanza della Segnatura, Vatican), where Plato is portrayed looking up to the higher forms; and Aristotle is pointing down because he supports the natural sciences. In a discussion of poli tics, the stand point of each philosopher becomes an essential factor. It is not coincidental thatRead MoreHuman Nature In Fahrenheit 4511349 Words   |  6 Pagestensions that occur between one s perception of what is moral according to human nature when constrained by a theocratic society. Fahrenheit 451 a dystopian novel by Ray Bradbury, shows how oppressive governments can never succeed in trying to force conformity in one s human nature. The Lottery is a dystopian shirt story, by Shirley Jackson and demonstrates conformity and rebellion, and how overpowering a community can be against an individual. Para 1: Miller s criticises the controlling nature